| Allusion, Artistry, and the
Fall of Icarus Help: How To Use This Web
Icarus from the Jazz series
of paper cutouts by Henri Matisse |
Directions
- View the entire Web page--most pages are longer than the first visible screen: Use the
scroll bar at the right of your Web browser window or use your down arrow key.
- Follow the NEXT buttons at the end of each page or browse this Web site, using the
navigation bar at the bottom of each Web page.
- Bookmark or set as a Favorite the Home page of Allusions and
Icarus.
- Use your browser's BACK button to return to a previous page.
- Set your browser type/font size to a comfortable reading size.
- Set your browser to allow images and special fonts (typefaces).
- Review the Double Windows and Writing
Space suggestions on this page.
- Read all the directions for an activity before you begin it.
- If you have questions or comments, contact your professor or D. Reiss.
|
Directions | Double
Windows | Writing Space | top
Double Windows
Sometimes it is helpful to view two Web pages at the same time. You can do so by
opening two browser windows according to the help files for your Web browser. Size these
windows so that one Web page appears above the other, for example, the poem above and the
glossary below. Then you can use scroll bars of both windows.
Directions | Double
Windows | Writing Space | top
Writing Space
- To write your reactions and answers to questions in the browser pages of Allusion,
Artistry, and the Fall of Icarus, you can use the text boxes provided as a quick note
pad and then copy and paste to your word processor or email, toggling back and forth
between the browser and word processor or email.
- Or you can arrange the windows on your computer monitor as shown below. Size your Web
browser window to take about half or two-thirds of the top of your monitor. Open your word
processor or email message screen and size its window to provide a writing space below.
Directions | Double Windows | Writing Space | top
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developed by D. Reiss for VCCS
Litonline | modified 03/10/99 by D. Reiss |